{"id":21955,"date":"2021-11-24T14:03:42","date_gmt":"2021-11-24T14:03:42","guid":{"rendered":"https:\/\/www.polstrin.cz\/obuv-jako-umelecke-dilo\/"},"modified":"2021-11-24T14:03:42","modified_gmt":"2021-11-24T14:03:42","slug":"obuv-jako-umelecke-dilo","status":"publish","type":"post","link":"https:\/\/www.polstrin.cz\/en\/obuv-jako-umelecke-dilo\/","title":{"rendered":"Obuv jako um\u011bleck\u00e9 d\u00edlo"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Nesm\u00edrn\u011b n\u00e1s t\u011b\u0161\u00ed spolupr\u00e1ce s&nbsp;mlad\u00fdm nadan\u00fdm design\u00e9rem <strong>Oldrichem Voytou<\/strong>, kter\u00e9ho zn\u00e1me ji\u017e od roku 2019, kdy jsme mu pom\u00e1hali s&nbsp;jeho klauzurn\u00ed prac\u00ed v&nbsp;r\u00e1mci studia Ateli\u00e9ru Designu obuvi na Univerzit\u011b Tom\u00e1\u0161e Bati ve Zl\u00edn\u011b. Ze zbytkov\u00fdch materi\u00e1l\u016f v&nbsp;na\u0161\u00ed \u010dalounick\u00e9 d\u00edln\u011b tehdy vznikl podle jeho n\u00e1vrhu a&nbsp;pod jeho veden\u00edm prototyp cestovn\u00ed ta\u0161ky. C\u00edlem bylo zpracovat odpadov\u00fd materi\u00e1l a&nbsp;naj\u00edt smyslupln\u00fd \u00fa\u010del jeho dal\u0161\u00edho vyu\u017eit\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oldrich nyn\u00ed pokra\u010duje v&nbsp;doktorsk\u00fdch studi\u00edch, kde se v\u011bnuje implementaci technologi\u00ed do obuvi. To, \u017ee mu to jde velmi dob\u0159e, dokazuj\u00ed z\u00edskan\u00e1 ocen\u011bn\u00ed. Se sv\u00fdm projektem Zonal Personalized Footwear vyhr\u00e1l 1.&nbsp;cenu v&nbsp;n\u00e1rodn\u00edm fin\u00e1le v\u011bdeck\u00e9 sout\u011b\u017ee FameLab. N\u011bkolik let p\u016fsobil jako vedouc\u00ed design\u00e9r v&nbsp;Pekingu, ve studiu VO5 a&nbsp;v&nbsp;design&amp;technology studiu DeFacto, kde za projekt wearable high-tech protismogov\u00e9 masky z\u00edskal hlavn\u00ed ocen\u011bn\u00ed v&nbsp;r\u00e1mci RedDott Award 2018.<\/p>\n\n\n<div style=\"display:flex; gap:10px; flex-wrap:wrap;\">\n  <img decoding=\"async\" src=\"https:\/\/www.polstrin.cz\/wp-content\/uploads\/2021\/11\/Oldrich_Voyta_footwear_collection_Opera_photo_by_Katsapov_Bakus_in_National_Theatre_Prague_2-200x300-1.jpg\" style=\"width:30%; height:auto;\"><br \/>\n  <img decoding=\"async\" src=\"https:\/\/www.polstrin.cz\/wp-content\/uploads\/2021\/11\/Oldrich_Voyta_footwear_collection_Opera_photo_by_Katsapov_Bakus_in_National_Theatre_Prague_3-200x300-1.jpg\" style=\"width:30%; height:auto;\"><br \/>\n  <img decoding=\"async\" src=\"https:\/\/www.polstrin.cz\/wp-content\/uploads\/2021\/11\/Oldrich_Voyta_footwear_collection_Opera_photo_by_Katsapov_Bakus_in_National_Theatre_Prague_4-200x300-1.jpg\" style=\"width:30%; height:auto;\">\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a0<strong>Svou pr\u00e1ci pravideln\u011b a&nbsp;\u00fasp\u011b\u0161n\u011b p\u0159edstavuje ve sv\u011bt\u011b i&nbsp;v\u00a0\u010cesk\u00e9 republice.<\/strong> Letos na podzim na festivalu designu Milan Design Week m\u011bla premi\u00e9ru jeho kolekce obuvi \u00d3pera. D\u00edky \u00fasp\u011b\u0161n\u00e9 prezentaci pod z\u00e1\u0161titou \u010cesk\u00e9ho centra m\u00e1 Oldrich nyn\u00ed nab\u00eddky prezentovat svoji pr\u00e1ci ve V\u00eddni, New Yorku, Washingtonu D.C a&nbsp;Lond\u00fdn\u011b.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oldrich je tak\u00e9 absolventem Tane\u010dn\u00ed konzervato\u0159e hl. m. Prahy, d\u00edky \u010demu\u017e str\u00e1vil n\u011bkolik let na jevi\u0161t\u00edch v&nbsp;divadlech v&nbsp;\u010cR i&nbsp;v&nbsp;zahrani\u010d\u00ed. N\u00e1m\u011bty jeho tvorby jsou zpravidla inspirov\u00e1ny&nbsp;liniemi lidsk\u00e9ho t\u011bla, kter\u00e9 vych\u00e1zej\u00ed z&nbsp;biomechaniky pohybu, z&nbsp;n\u00ed\u017e vych\u00e1z\u00ed i&nbsp;design jako takov\u00fd. <strong>Jeho zku\u0161enosti s&nbsp;tancem a&nbsp;divadlem objas\u0148uj\u00ed celkov\u00fd pohled na jeho n\u00e1vrhy.<\/strong> Velkou pozornost v\u011bnuje tomu, aby vizu\u00e1ln\u00ed kr\u00e1sa nezast\u00ednila element pohodl\u00ed chodidla p\u0159i&nbsp;no\u0161en\u00ed. Jako b\u00fdval\u00fd tane\u010dn\u00edk si Oldrich uv\u011bdomil pot\u0159ebu pe\u010dovat o&nbsp;sv\u00e9 nohy.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Kolekce \u00d3pera<\/strong> snoub\u00ed um\u011bn\u00ed s&nbsp;kr\u00e1sou, \u0159emeslo s&nbsp;modern\u00ed technologi\u00ed a&nbsp;unik\u00e1tn\u00ed estetiku s&nbsp;pohodl\u00edm.&nbsp;<strong>P\u0159\u00edb\u011bh t\u00e9to kolekce za\u010dal na p\u016fd\u011b divadla.<\/strong> V&nbsp;hledi\u0161ti, i&nbsp;na jevi\u0161ti. Mezit\u00edm, co prim\u00e1rn\u00edm \u00fa\u010delem&nbsp;tane\u010dn\u00ed obuvi je propojen\u00ed tane\u010dn\u00edka s&nbsp;povrchem jevi\u0161t\u011b, na opa\u010dn\u00e9 stran\u011b sc\u00e9ny hraje hlavn\u00ed roli&nbsp;estetick\u00e1 kr\u00e1sa a&nbsp;honosnost obuvi a&nbsp;kost\u00fdmu, reprezentuj\u00edc\u00ed charakter postavy. Oldrich Voyta se&nbsp;rozhodl spojit tyto prvky dohromady.<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Um\u011bleck\u00fd aspekt obuvn\u00ed kolekce propojuje div\u00e1ka i&nbsp;tane\u010dn\u00edka, tradici i&nbsp;pokrok. Jej\u00ed vizu\u00e1ln\u00ed&nbsp;forma byla inspirov\u00e1na interi\u00e9rem N\u00e1rodn\u00edho divadla v&nbsp;Praze, charaktery postav balet\u016f \u010di&nbsp;opern\u00edch p\u0159edstaven\u00ed, na kter\u00e9, jako poslucha\u010d konzervato\u0159e chodil, \u010di&nbsp;kter\u00e9 jako tane\u010dn\u00edk&nbsp;ztv\u00e1rnil. Dekorativn\u00ed prvky v&nbsp;podob\u011b zlat\u00e9 krajky \u010di&nbsp;rud\u00e9ho tv\u00eddu evokuj\u00ed oponu Vojt\u011bcha Hynajse,&nbsp;modr\u00fd brok\u00e1t zas m\u00fazy Franti\u0161ka \u017den\u00ed\u0161ka \u010di&nbsp;malby Mikol\u00e1\u0161e Ale\u0161e. Objevuj\u00ed se charaktery postav.&nbsp;Kr\u00e1lovna noci z&nbsp;Mozartovy Kouzeln\u00e9 fl\u00e9tny, Kyli\u00e1nova Bella figura, Petipova \u0160\u00edpkov\u00e1 R\u016f\u017eenka&nbsp;nebo Kitri z&nbsp;baletu Don Quixote.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tato autorsk\u00e1 kolekce p\u0159edstavuje estetiku romantismu baletn\u00edch p\u0159edstaven\u00ed, k\u0159ehkost divadeln\u00edho espritu, kter\u00e1 byla fotograficky zachycena v&nbsp;N\u00e1rodn\u00edm divadle v&nbsp;Praze. P\u0159esto je tvar&nbsp;boty specificky transformov\u00e1n. \u0160\u00ed\u0159ka obuvi se zv\u011bt\u0161uje v&nbsp;prstov\u00e9 \u010d\u00e1sti a&nbsp;pod\u00e9ln\u00e1 klenba se zved\u00e1&nbsp;s&nbsp;biomechanicky vhodnou podporou. Tyto znalosti si n\u00e1vrh\u00e1\u0159 osvojil skrze studium&nbsp;biomechaniky, \u0159emesln\u00e9 pr\u00e1ce s&nbsp;kopytem a&nbsp;jeho tvarov\u00e1n\u00edm ale tak\u00e9 aktivn\u00edm zaveden\u00edm nov\u00fdch&nbsp;technologi\u00ed do praxe, t\u0159eba vyu\u017eit\u00ed 3D skenov\u00e1n\u00ed chodidla na Centru v\u00fdzkumu obouv\u00e1n\u00ed p\u0159i&nbsp;UTB&nbsp;ve Zl\u00edn\u011b, kde byl i&nbsp;ka\u017ed\u00fd model jednotliv\u011b ru\u010dn\u011b u\u0161it. Kolekce toto propojuje do jednoho celku.<\/p>\n\n\n<div style=\"display:flex; gap:10px; flex-wrap:wrap;\">\n  <img decoding=\"async\" src=\"https:\/\/www.polstrin.cz\/wp-content\/uploads\/2021\/11\/Oldrich_Voyta_footwear_collection_Opera_photo_by_Katsapov_Bakus_in_National_Theatre_Prague_1-220x330-1.jpg\" style=\"width:30%; height:auto;\"><br \/>\n  <img decoding=\"async\" src=\"https:\/\/www.polstrin.cz\/wp-content\/uploads\/2021\/11\/Oldrich_Voyta_footwear_collection_Opera_photo_by_Katsapov_Bakus_in_National_Theatre_Prague_2-450x330-1.jpg\" style=\"width:40%; height:auto;\"><br \/>\n  <img decoding=\"async\" src=\"\" style=\"width:30%; height:auto;\">\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jak Oldrich pokra\u010duje:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u201cKdy\u017e se pod\u00edv\u00e1m na jednotliv\u00e9 modely, sly\u0161\u00edm zvuk klapaj\u00edc\u00edch podpatk\u016f sestupuj\u00edc\u00edch po&nbsp;<\/em><em>mramorov\u00e9m schodi\u0161ti divadeln\u00edho domu. Krok za krokem v&nbsp;rytmu pizzicata p\u0159ich\u00e1z\u00ed kolekce&nbsp;<\/em><em>obuvi \u00d3pera inspirovan\u00e1 efem\u00e9rn\u00edm \u017eivotem baletu\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u0158emeslo ru\u010dn\u011b \u0161it\u00fdch bot na m\u00edru se tak snoub\u00ed s&nbsp;modern\u00ed technologi\u00ed v\u00fdroby, je\u017e spole\u010dn\u011b s\u00a0akcentem na udr\u017eitelnost nastavuj\u00ed nov\u00fd standard obuvnictv\u00ed nejen v&nbsp;\u010cech\u00e1ch.<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Pro v\u00fdrobu t\u00e9to kr\u00e1sn\u00e9 obuvi jsme poskytli textilie i&nbsp;p\u0159\u00edrodn\u00ed usn\u011b, kter\u00e9 jsme d\u00edky sv\u00e9 velikosti nemohli ji\u017e d\u00e1le pou\u017e\u00edt v&nbsp;na\u0161\u00ed \u010dalounick\u00e9 d\u00edln\u011b. Mal\u00e9 od\u0159ezky r\u016fzn\u00fdch materi\u00e1l\u016f se ale skv\u011ble hod\u00ed k&nbsp;zak\u00e1zkov\u00e9 v\u00fdrob\u011b. Na vznikl\u00e9 obuvi tak m\u016f\u017eete vid\u011bt materi\u00e1ly od sv\u011btov\u00fdch v\u00fdrobc\u016f potahov\u00fdch materi\u00e1l\u016f, kter\u00e9 maj\u00ed skv\u011bl\u00e9 u\u017eitn\u00e9 vlastnosti. Ka\u017ed\u00fd p\u00e1r tvo\u0159\u00ed unik\u00e1tn\u00ed,\u00a0solit\u00e9rn\u00ed kus, jeho\u017e vizu\u00e1l z\u00e1vis\u00ed na z\u00edskan\u00fdch materi\u00e1lech. Spl\u0148uje proto tak\u00e9 kvalifikaci zero-waste.<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Od za\u010d\u00e1tku prosince bude v\u00fdstava bot k&nbsp;vid\u011bn\u00ed v&nbsp;Praze v&nbsp;Pas\u00e1\u017ei \u010desk\u00e9ho designu. Samotn\u00fd n\u00e1vrh\u00e1\u0159 tak\u00e9 prozradil, \u017ee chyst\u00e1 kolekci doplnit o&nbsp;solit\u00e9rn\u00ed kabelky a&nbsp;poprv\u00e9 ji p\u0159edstavit ve V\u00eddni, m\u00e1me se tedy na co t\u011b\u0161it.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.polstrin.cz\/wp-content\/uploads\/2021\/11\/245604794_384844233139623_7216185381260964984_n.jpg\" alt=\"\" class=\"wp-image-12773\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Design obuvi: Oldrich Voyta&nbsp;<\/em><br><em>Fotografie: Mario Baku\u0161, Alexandre Katsapov; nafoceno v&nbsp;prostor\u00e1ch N\u00e1rodn\u00edho divadla v&nbsp;Praze za laskav\u00e9ho svolen\u00ed veden\u00ed divadla<\/em><br><em>Materi\u00e1ly: zbytkov\u00fd materi\u00e1l z&nbsp;v\u00fdroby ve spolupr\u00e1ci s&nbsp;Polstrin Design s.r.o.<\/em><br><em>Ru\u010dn\u00ed v\u00fdroba: v&nbsp;prostor\u00e1ch obuvnick\u00fdch laborato\u0159\u00ed Centra v\u00fdzkumu obouv\u00e1n\u00ed p\u0159i&nbsp;Univerzit\u011b Tom\u00e1\u0161e Bati ve Zl\u00edn\u011b<\/em><br><em>Speci\u00e1ln\u00ed pod\u011bkov\u00e1n\u00ed: Werichova vila, Ji\u0159\u00ed Posp\u00ed\u0161il, \u010cesk\u00e9 centrum v&nbsp;Mil\u00e1n\u011b, Simona Calboli,<\/em><br><em>Michal Van\u00ed\u010dek, Olga Egler, Tom\u00e1\u0161 Dvo\u0159\u00e1k, Lucia Hurbani\u010dov\u00e1, Michaela Kore\u0148ov\u00e1, Eva Klabalov\u00e1, Hana Vojtov\u00e1, Univerzita Tom\u00e1\u0161e Bati ve Zl\u00edn\u011b<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nesm\u00edrn\u011b n\u00e1s t\u011b\u0161\u00ed spolupr\u00e1ce s&nbsp;mlad\u00fdm nadan\u00fdm design\u00e9rem Oldrichem Voytou, kter\u00e9ho zn\u00e1me ji\u017e od roku 2019, kdy jsme mu pom\u00e1hali s&nbsp;jeho klauzurn\u00ed prac\u00ed v&nbsp;r\u00e1mci studia Ateli\u00e9ru Designu obuvi na Univerzit\u011b Tom\u00e1\u0161e Bati ve Zl\u00edn\u011b. Ze zbytkov\u00fdch materi\u00e1l\u016f v&nbsp;na\u0161\u00ed \u010dalounick\u00e9 d\u00edln\u011b tehdy vznikl podle jeho n\u00e1vrhu a&nbsp;pod jeho veden\u00edm prototyp cestovn\u00ed ta\u0161ky. C\u00edlem bylo zpracovat odpadov\u00fd materi\u00e1l [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":21017,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[252],"tags":[],"class_list":["post-21955","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-clanky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Obuv jako um\u011bleck\u00e9 d\u00edlo - POLSTRIN - \u010cesk\u00fd v\u00fdrobce \u010daloun\u011bn\u00e9ho n\u00e1bytku<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.polstrin.cz\/en\/obuv-jako-umelecke-dilo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Obuv jako um\u011bleck\u00e9 d\u00edlo - POLSTRIN - \u010cesk\u00fd v\u00fdrobce \u010daloun\u011bn\u00e9ho n\u00e1bytku\" \/>\n<meta property=\"og:description\" content=\"Nesm\u00edrn\u011b n\u00e1s t\u011b\u0161\u00ed spolupr\u00e1ce s&nbsp;mlad\u00fdm nadan\u00fdm design\u00e9rem Oldrichem Voytou, kter\u00e9ho zn\u00e1me ji\u017e od roku 2019, kdy jsme mu pom\u00e1hali s&nbsp;jeho klauzurn\u00ed prac\u00ed v&nbsp;r\u00e1mci studia Ateli\u00e9ru Designu obuvi na Univerzit\u011b Tom\u00e1\u0161e Bati ve Zl\u00edn\u011b. Ze zbytkov\u00fdch materi\u00e1l\u016f v&nbsp;na\u0161\u00ed \u010dalounick\u00e9 d\u00edln\u011b tehdy vznikl podle jeho n\u00e1vrhu a&nbsp;pod jeho veden\u00edm prototyp cestovn\u00ed ta\u0161ky. 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